Carefully Read the Poem Simon Lee by William Wordsworth

Simon Lee the Old Hunts troops is a poetry which occurs in lyric Ballads and was compose in 1798, belonging, thus, temporally to the Romantic period (1780-1830). Romantic writing is commonly identified with some primal elements, which concern imagination, nature, symbolism and myth (although there have been writers of this period who were not as mainstream). William Wordsworth has been characterised as a canonical author of Romantic Poetry in that his work is highly attached to the notion of character and plenty of reference is made to it.Approaching a piece of literary work, however, from this perspective is very restraining, therefore, in this essay we will attempt a hearty or historical kind of approach. We shall try to order the idealistic language found in the poem as social or historical sermon through the poetical techniques employed by the writer. In new(prenominal) words, we will analyse the way versatile elements of poetic form and language combine to create meanin g and effects. Simon Lee is about an white-haired huntsman who, while was once strong and active, now strives to fight his dec declivityd health and strength.The poem recounts an actual encounter of the poet with this gray-headed man. It seems to be a hybrid of lyric and narrative (a lyrical ballad). Lyric in that we have a first-person expression of emotion and concentration upon the actions and feelings of an individual at a particular moment, while narrative, since there is a narrator and another character, whom the former encounters and, later, describes. There argon 12 stanzas of eight lines each with a poetry scheme of ABABCDED that causes the lines to flow smoothly.The first stanza of the poem introduces us with Simon and sets the scene In the sweet shire of Cardigan. It is unequivocal from the beginning that Wordsworth is dealing with a matter from common life, since every ref is familiar with and can portraying a sweet shire, the same way the notion of pleasant is e asy to grasp. Furtherto a greater extent, a series of modest, manifestly adjectives that evoke sadness are used to describe Simon old man, a little man, who once was tall making it clear that the hero of the poem is just a humble, ordinary old man.Nature, Wordsworth argued, can save citizenry from the alienation, frustration and triviality of contemporary urban life. It seems to me that by choosing to start the poem placing the endorsers in a rural area away from urban life, he seeks to evoke feelings opposed to the ones mentioned above, those that are for him connected with away-from-nature settings. The second stanza is, I consider, somewhat tragic, since two all told contradictory adjectives- paltry and merry- are used to describe this same person only in two different periods of his life in the past and present.In this way, the winding down of Simons life over the years becomes even more intense to the reader. The rhyming couple has he/ see in airwaves 1 and 3 of the seco nd stanza is cognise as poetic inversion. Wordsworth has inverted the word order for the sake of the sound intelligence of the verse as well as of the rhythm, both of which would have been different if he had used he has. Perhaps any other choice would have made the rhyme pattern less unfussy than it is now, and complication is what he has tried to avoid throughout the whole poem.The easy rhymes merry/ ruddy, sound/round, sick/ abstruse, door/poor are also justified by this theory. The metaphor like a cherry is directly derived from the diction of Nature and can be easily comprehended and pictured by the bulk of the common population-especially in rural areas. In the fourth stanza the retrospection stops and Simon is no longer in the prime of his life. He is no longer healthy, rather he is poor old Simon Lee again, who has no son, has no child, he only has an aged woman and they both live upon the crossroads common.Simon Lee is again transformed into the old man that was presen ted to us in the first stanza and the poetic inversion of village common functions to leave an echo of the commonness of everything that surrounds this man, for once more. For the following four stanzas this picture of his is highlighted through words such as lean, sick, thin, dry, weak, the weakest in the village or the image of his ankles, which are swoln and thick. By these means, the reader is forced to sympathise with the hero, who is totally helpless.Even more, the repetition (which could also be characterised as head rhyme) of the phrase he has no in Line 5 of the fourth stanza reinforces the sense of loneliness and misery that is created. The same effect is also achieved by the alliteration that occurs between the words sole -survivor in Line 8 of the third stanza. What is strikingly noticeable is that there is a pause at the end of almost each line, either a comma, a semi-colon, a full-stop or an exclamation mark, with occasional exceptions in some lines in an inconsisten t pattern.This stylistic device, know as enjambment, suggests that these exceptional lines actually run on however, on account of the actual line ending itself (with no punctuation mark) the reader is made to pause for a while and think. In other words, he can read each line slowly. This works to relieve any sense of misgiving or tension within the poem. Or we can say that the writer initially aims at reproducing sheer qualities of balance, harmony and proportion, while the variations noticed may function to indicate the disturbance that has occurred to the above.Suddenly, in the ninth musical octave Wordsworth writes directly to the reader My make up reader- and asks him to yield no action the poem is not climactic and the poet is addressing this fact (It is no tale). Through the phrase I perceive he reveals his insight into the readers reactions ( I m afraid that you expect some tale will be cogitate) and he establishes that there is no resolution or climax to be expected. He is also imp deception the readers blindness of the tale already told by Simons aging body the fact that he is humbled while he realises that struggling against a decaying organism is hopeless.At this point it might be useful to think of the readers whom this poem was originally created to address. On the one hand, Wordsworth has chosen to include the common people of rural life in his range of audience, and therefore is using their own language. In the Preface to his Lyrical Ballads of 1802 he argues that the language of poetry ought to be language of men. As he says, this is because the rural poor convey their feelings and notions in simple and unelaborated expressions (Wu, Romanticism,1994 p. 252). Their habits do not change as they are not affected by fashion, so their language is more sincere.On the other hand, by the phrase my gentle reader, we could also say that he is addressing the readers belonging to the upper-class of society the educated people who would expect a more e laborated language and this poem to actually be far less heavy(a) that it really is. To those people who cannot see that it functions to be symbolic, but who only see the words and the events without the meaning lying below these. Wordsworth had lived through the Revolutionary period and was against the early ideas, which is why he had the reputation of a radical.He was influenced by the democratic ideas of the period. It seems that through this poem he seeks to change the social circumstances of the time. He seeks for a more democratic state and he attempts to pass this notion through the use of simple, unelaborated language, which is considered as uncorrupted. Lets not forget that it was written in a period of unparalleled social and political change. Therefore, in one sense, he conducted his own social revolution, influenced by the social context within which he created poetry.He was against the received idea of poetic language being as refined and eloquent as to be available o nly to those with an education. We might, thus, say that by addressing his reader in these two stanzas he is being ironic towards this class of society. At the conclusion of the poem, where the only action so far has been the decay of life, this single blow in the twelfth stanza seems to be releasing a sense of freedom from this natural law and the writers tone suggests this victory over aging and decay.Simons response to this comes with The tears into his eyes and thanks and praises , conveying a shift from negative to positive from commiseration to admiration, since attention now passes from Simons outward decay to the endless activity and openness of his heart. The writer is overwhelmed by this gratitude expressed towards him and suggests that kindness within ones heart may overcome any carnal decay that comes with aging and bring about this spiritual survival that equals physical vigour of youthful.